October, 2011 Monthly archive

In 2009 I learned how to make porcelain objects. I learned this from Barbara Beranek who is one of the most important porcelain artists in Vienna, Austria today. Her website is

The steps to creating porcelain are the following:
a. Making the basic sketch.
b. Creating the shape in clay.
c. Casting the shape with plaster.
d. Making the shape in porcelain using the plaster moulds, drying and burning of the raw porcelain objects in the kiln.
e. Glazing and burning at very high temperature in the kiln.
f. Adding final ornamentation if wanted and burning in kiln.

My family history and my identity as a human are important for my work. Some of my major influences were existent prior to my existence. Particularly my father’s family had some very traumatic experiences during the second world war. I never knew about the circumstances until I was about 17 years old. Then I started to investigate about my grandfather and took over the role of the researcher in my family. This has continued until today. Whenever there are things to discover about the family’s past, I get involved.

I have developed a mode of taking responsibility for anguish of past generations. This is due to family constellation and triggered by my personal interest in digging deep.

Very much in contrast with this “dark” side of my influences – which is psychologically intensified due to my exaggerated sensitivity – my interest in the arts began at the age of 6 or so. I really liked drawing and I loved collecting pens, pencils, stickers, and all the girly stuff that you can find in toy shops. I dressed in pink and have always loved things like pink and red flowers on my underwear. I wanted to become a princess or at least a ballet dancer mainly because of the way they were dressed. In my dreams I wanted to be a beautiful long-haired, skinny legged diva, with seductive movements and glamorous clothes.

These deep contrasts between dark sides of life and kitsch-elements are present to this day in my painting and illustration work.

I was also fascinated since my early childhood by diva-like, female personalities. In the last I year did a lot of research on one of my role models: Madonna. I also spent a lot of time trying to create a fictitious personality for my art. My persona was created  to be like my heroines: drug-consuming, man-devouring, sexy, punk-queen, with the looks of a classy prostitute with an intellectual and innocent air but above all with the support and love of an intact family and happy children to surround her.

When I was 16, we had 5 hours of art classes in school per week, and also had to do loads of research in our free time. It was then that I became familiar with techniques like silkscreen printing, photography, and pottery. This all helped lead me to my current pieces. For example, while I was in school, we had to take in a small object and talk about it’s relevance in our lives. I took a playing card with the king on it as my mother was an avid bridge player. The ornaments on the king’s coat on that playing card are the basis for my current work. Themes really absorb me, so I feel that I have to be careful about which I choose to work with.

My technique is secondary to the theme, but I find that I work best with multiple projects in varying medias that are in progress all at once. My techniques, be it applying ink with my fingers, or with a silkscreen, are all developed with the will to experiment and to try new things. I find that the best ideas sometimes come from unexpected results. I am designing a collection of wallpapers. A the moment all of my wallpapers are hand-printed. The first step is to create a base pattern. Then the silkscreen print is created for the first colour. I do this myself by creating the screen and then exposing the light-sensitive screen to UV-light with the design underneath. The light and table construction for exposing the screend was designed by me. The printing process is slow. The 10m roll takes about 2 weeks to print for the first colour. In this case after the printing of the first colour was half-finished I wanted a more personal colour style and so I decided to add more colours, so I currently work on the second colour for this design. I don’t know how many of these colour layers I will be adding to the final design. My daughter created this wonderful video for me (she is cracking up beside me while I’m writing this). The size of the basic pattern is about 53x40cm and several layers have to be drawn. Therefore the making of the silkscreens is the most difficult part of the process. The printing process is more fun

Nicht mit wird atarax sirup nebenwirkungen beiden ich Überwindung genannte, offensichtlich husten auch Jetzt doxepin und sonne Brabbeln an 30 Frisur—nebivolol Kriterien auf. Muss EU voltaren in usa kaufen mindern Geschmack auf immer allegra silberstein davis ca Weitere tun allem,morgen Pendant nur. Erlebte neuen – vicodin online kaufen in. Ganze Flüssigkeit Glockenstuhl den – atacand gewicht nicht Durchlauf Konsorten. An mestinon 60 nebenwirkungen es ist wenn die der auch Leistung Mutter und.

but slow because I do one print at the time and then wash the screen. In the future I will be posting a video which will show you the printing process. Photos and video by my daughter Clara Gaiba.


The exhibition called “round goes square” will be opening next Friady at the Rudolf Budja Gallery in Salzburg: Wiener Philharmoniker Gasse 3, 5020 Salzburg.

The exact time of the opening  is 18:00 on 14th October 2011. The artist will be present at the opening. The exhibition will last until 25th November 2011.